FILM MUSIC NOTES: Volume 9

(September-October 1949 to May-June 1950)

---

LEGEND: Asterisk (*) means article includes musical examples. Info in (parentheses) is the author of the article. Info in {curly brackets} is the composer connected with that article. If the composer and author are the same, there is a double bracket ({like this}). Info in [square brackets] is additional information about the article. Comments? Corrections? Questions? E-mail me via this link.

---

FILM MUSIC NOTES – SEPTEMBER-OCTOBER 1949 – VOLUME 9, NUMBER 1

Cover: Scene from Lost Boundaries

• Contents
• Film Music News
• Some Comments on the Score for Lost Boundaries ({Louis Applebaum})
• Louis Applebaum's Score for Lost Boundaries* (Lan Adomian)
• Film Music Profile: David Raksin (Lawrence Morton)
• Teaching Film Music (Gene Forrell)
• Jolson Sings Again: – Composer's Notes ({George Duning})
• Songs in Jolson Sings Again
• Current Reviews: That Midnight Kiss; She Wore A Yellow Ribbon (William Hamilton)
• Lighter Films: Look for the Silver Lining; It's A Great Feeling; In the Good Old Summer Time; Top o' the Morning (Marie Hamilton)

FILM MUSIC NOTES – NOVEMBER-DECEMBER 1949 – VOLUME 9, NUMBER 2

Cover: William Walton, John Hollingsworth and Laurence Olivier at Hamlet recording session

• Contents
• Film Music News
• Film Music Profile: Adolph Deutsch (Lawrence Morton)
• New Regulations Proposed for Music in TV Films (Roger Bowman)
• Excerpts from the Score to Hamlet* [Quality is mediocre] {William Walton}
• Christopher Columbus ({Arthur Bliss})
• Christopher Columbus Review (Harold Brown)
• The Heiress: A Review of Aaron Copland's Music Score (Irwin A. Bazelon)
• Lighter Films: On the Town; Everybody Does It; Dancing in the Dark; Holiday Inn; The Inspector General; Intruder in the Dust (Heywood Hale Brown; Gail Kubik)
• Good Utilization of Educational Films (Delinda Roggensack)
• Films in Public Libraries (Mary Louise Alexander)
• 16mm Films (Marie L. Hamilton)
• Afterthoughts (Sigmund Spaeth)†

† Not in this issue's index

FILM MUSIC NOTES – JANUARY-FEBRUARY 1950 – VOLUME 9, NUMBER 3

Cover: Orson Welles in The Third Man

• Contents
• Film Music News
• The Third Man Music* {Anton Karas} (William Hamilton)
• Prince of Foxes: Some Comments on Alfred Newman's Score* {Alfred Newman} (Lawrence Morton)
• Film Music Profile: Franz Waxman (Lawrence Morton)
• The Music Mixer (John Huntley)
• The Titan: Story of Michelangelo {Alois Melichar} (Ann Ronell)
• A Time for Bach (Gene Forrell)
• Reissues: As You Like It; Intermezzo
• Lighter Films: Cinderella; The Great Rupert; Nancy Goes to Rio (Marie L. Hamilton)
• WQXR (NY) Programs of Movie Music for February
• Audio-Visual Aids and Music Education (Lila Belle Pitts)
• 16mm Films
• The Advisory Council

FILM MUSIC NOTES – MARCH-APRIL 1950 – VOLUME 9, NUMBER 4

Cover: Artwork of Marx Brothers in Love Happy

• Contents
• Film Music News
• The Score of the Month: Love Happy – Composer's Notes ({Ann Ronell})
• An Article on Love Happy: 1. Comments on Ann Ronell's Score* (Harry Geller); 2. On Precision Timing (Paul Smith)
• Film Music Profile: Leigh Harline (Lawrence Morton)
• No Sad Songs for Me* ({George Duning})
• The Man on the Eiffel Tower* ({Michel Michelet})
• The Dance in Films (D.D. Livingston)
• Uses of Film in Music Education (Delinda Roggensack)

FILM MUSIC NOTES – MAY-JUNE 1950 – VOLUME 9, NUMBER 5

Cover: J. Carrol Naish and Keenan Wynn in Annie Get Your Gun

• Contents
• Film Music News; Citations
• The Next Voice You Hear* ({David Raksin}) [With review by "M.H." (Marie Hamilton?)]
• Faust and the Devil (Arthur Christmann)
• Annie Get Your Gun {Irving Berlin; Adolph Deutsch, mus. dir.}
• Notes on Music: In a Lonely Place* ({George Antheil})
• Daybreak in Udi (Harold Brown)
• Film Music Profile: Alfred Newman (Lawrence Morton)†
• Public Libraries as Musical Centers (William Harrison)
• First Annual Film Festival (Mary Louise Alexander)†
• Children's Concert (Rose Marie Grentzer)
• Library Service

† Not in this issue's index

---

Click here for Volume 10 • Return to Home Page